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Veeder: Tough wardrobe decisions come with the gig

"It’s easy to make assumptions about a person based on their outfit or their day job," Coming Home columnist Jessie Veeder writes. "I mean, my dad used to work in a bank and he also broke horses and played in a bar band at night."

Jessie Veeder Coming Home column headshot for Brightspot.jpg
Jessie Veeder, "Coming Home" columnist.
Contributed / Jessie Veeder

WATFORD CITY, N.D. — The amount of times I’ve changed clothes, put on my makeup, done my hair and generally tried to make myself presentable in my car or a car that is driving me down the road is in the thousands.

I know this isn’t normal for most people. Most people don’t live 30 miles from town and most people don’t travel thousands of miles a year to perform in some of the most rural parts of the country. And I don’t know if this is an interesting thing about me or not, but it is something that I think about almost every week: what should I wear for the three or more hour drive and what should I wear behind the microphone where people are going to be looking at me as I ramble and sing and try my best to entertain. For some people, this could be one of the most fun parts of the gig, but for me, picking the proper outfit sometimes feels like another annoying decision I need to make in a day full to the brim of decisions.

When I was a kid just getting started performing, I used to have complete meltdowns on the bathroom and dressing room floors (or, probably mostly in the car) about my outfit choices for the stage (or flatbed trailer or corner of the venue). Looking back on it now, I understand it was nerves that I blamed on jeans that didn’t fit right or hair that fluffed too much or the wrong color shirt. In those moments, I felt like I could handle the singing and playing my songs in public, but not if I wasn’t wearing the right thing. And my poor mother got the brunt of it, coaxing me so sweetly, always, to get it together, while my dad set up the sound and set list, clueless of the angst happening behind the scenes. Now that I have daughters of my own, both with clear-cut and strong outfit opinions, I would like to take this moment to publicly apologize to my mother. I am, indeed, getting payback.

Last week, I took the three-hour drive to the big town to perform for a banker’s convention. So naturally, I chose a pink, suede fringe jacket and boot cut jeans. The drive was long and the pants were high-waisted, so, in the privacy of the cab of my car, I undid my floral belt buckle and the top button of my jeans. (Because carbs and January and a girl’s gotta breathe). I made a mental note to make sure to fasten up before I got out of the car, which I only remembered when I was fully out of the car, in the venue and in the bathroom to check my outfit. Luckily, I don’t think I encountered a soul along the way (at least not close up) but that was a wardrobe close call. I got myself together and eventually stepped up to the microphone to do the job I was hired for and looked out at a sea of gray and navy blue suits and slacks, fully realizing that, in my pink suede jacket and turquoise accents, my brain and their brains were not the same.

I looked like words that rhyme and the dirtiest car in the parking lot. They looked like numbers that add up and clutter-free desktops.

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Oh, it’s easy to make assumptions about a person based on their outfit or their day job. I know better. I mean, my dad used to work in a bank and he also broke horses and played in a bar band at night. With the exception of cowboy boots (always cowboy boots), there was a diverse set of outfits on a guy who is more than just one thing. And aren’t we all? But put a cowboy like that in shorts and sandals and you’re not fooling anyone.

Anyway, I’m thinking about clothes and appearances as I pack for seven days of performances in Elko, Nevada for the National Cowboy Poetry Gathering. Between getting the kids’ schedules lined out in my absence, creating set lists, learning a few new songs and coordinating travel, my biggest conundrum is how I’m going to fit two cowboy hats, three pairs of boots, makeup, jewelry and outfits for seven days into one suitcase situation that I can handle alone in an airport with my guitar.

I’ll be miles and miles away from the familiarity of the North Dakota plains, introducing myself for the first time to so many people. And I think I can handle the music, if I have the right outfits. Just send some prayers up for no more wardrobe close calls.

Peace, love and buckle up,

Jessie


READ MORE OF JESSIE'S COMING HOME COLUMNS

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Greetings from the ranch in western North Dakota and thank you so much for reading. If you're interested in more stories and reflections on rural living, its characters, heartbreaks, triumphs, absurdity and what it means to live, love and parent in the middle of nowhere, check out more of my Coming Home columns below. As always, I love to hear from you! Get in touch at jessieveeder@gmail.com.

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Columnist Jessie Veeder fell in love with what the city has to offer after a recent trip to Fargo
"Being the wife of a handyman," columnist Jessie Veeder writes, means that projects around the house are "your life, forever and ever amen."
Jessie Veeder has always been fascinated by his story and recently decided to make it into a folk song
"This is the part of the fairy-tale that got skipped," Coming Home columnist Jessie Veeder writes. "They never let us in on what happens after the kiss at the wedding."
Columnist Jessie Veeder shares a story about helping her daughter write her own song and navigate the nerves of her first public performance.

Jessie Veeder is a musician and writer living with her husband and daughters on a ranch near Watford City, N.D. She blogs at https://veederranch.com. Readers can reach her at jessieveeder@gmail.com.
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